I’m always saying, “We can all draw” and claiming that we all have what it takes to make comics. I honestly believe this is true. My chapter in the Graphic Medicine Manifesto is titled, “The Crayon Revolution” and provides my full argument. I myself am proof! I was for sure NOT the kid at school who could draw, in fact, after fifth grade I was told to put my crayons and markers away and use my words. I sadly obliged. I started drawing again in my early thirties out of necessity; I needed to use the powerful and effective comics medium process difficult experiences. Ten years later I’ve made a bit of a career making and teaching comics, and yet I’m still working on how to figure out perspective and shading and all that.
Here’s an easy way to start making a comic. Use basic tools – printer paper and crayons.
And here’s one way to begin to tell your story – follow these slowly step by step:
- Pick a word that can summarize your story
- Make a list of images that come to mind when you think of that word
- Choose one of these images that seems strong to you
- Imagine a scene that represents that moment
- Draw that one scene – use crayons on simple paper
- What came before that scene you drew? Draw that panel above.
- What came after that first scent? Draw that panel below.
- You have a three panel comic!
- Keep drawing panels…
The above storytelling starter is adapted from the work of Lynda Barry and Ivan Brunetti. I use that exercise with medical students, patient groups, high school and grade school kids. It never fails to spark some great comics.
At the same time, I do understand that it’s not simple or as easy as I make it sound. As Ira Glass points out, there is initially a gap between what we can make and our vision for our work, what we want to make.
I can attest to the truth of this statement. We want to make ‘good’ drawings and ‘good’ comics. (To be clear, a ‘good drawing’ isn’t about achieving perfect perspective or photorealism. As Sarah Leavitt says, “…a good drawing is one that communicates what you are meaning to communicate and people can understand it.”)
So many people email me to ask, are there any tips and tricks for doing that work, for bridging the gap between the comics I make today in my sketchbook and the comics I want to present to the world, or use in my research, or publish as my memoir? How can I make my drawings and comics communicate what I want to communicate?
Start with the basics.
Here are a few more resources I’ve shared with students to help them make the comics they want to make. Hopefully you will find something here to help you move forward as well.
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How to think like a cartoonist with Liza Donnely
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Comics Basics with MK
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Cartooning basics: Drawing vs. cartooning with Marek Bennet
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Drawing Faces with Lynda Barry & Michael Green, MD
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Barry, Lynda. Making Comics. Drawn and Quarterly, 2019.
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Comics page layouts from Marek Bennett
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Free one-week cartooning workout from the Center for Cartoon Studies
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Draw Together with Wendy MacNaughton
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Free Friday Night Comics Workshops
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Basic Diary Comic with Marek Bennett
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Faces & Body Language with Marek Bennett
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Wonderfully encouraging website by Jarrett Lerner
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Brunetti, Ivan. Cartooning: Philosophy and Practice. Yale University Press, 2011
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Madden, M. 99 Ways to Tell a Story: Exercises in Style. Chamberlain Bros., 2005.
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Creating a basic, wordless story with Ivan Brunetti
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Graphic Medicine’s Drawing Together
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Sequential Artist Workshop (SAW) Friday night comics archive
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Basic drawing with Jarett Krosoczka (creator of Hey, Kiddo and others)
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The Five Choices in making a comic
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Some free comics-making workshops
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Comics as a visual language: Neil Cohn’s website: Visual Language Lab • The website of Neil Cohn
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Spin, Weave, and Cut: Nick Sousainis’ website
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a full comic-making online course
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and another – free!
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More comic making resources!
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from COVID times and beyond: Comics Workshops by The Believer
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What is a Graphic Novel?
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Trouble “finding time” to make your work? Check out this book I’ve started reading recently, Make Your Art No Matter What by Beth Pickens. I think it will be an enormous help as she includes some very practical strategies for overcoming creative hurdles. I hope you enjoy doing the work!